yoyaku prŠsentiert die erste cd ausgabe seiner sub labels, mit tracks aus dem katalog der verschiedenen sub-labels. unter anderem mit dabei cabanne, varhat, janeret, zendid, oshana, roger gerressen, satoshi tomiie, einzelkind, giuliano lomonte, s.a.m. und yyy.

suction records is proud to present the 2nd full-length release from rx-101, showcasing a selection of standout cuts from dutch producer erik jong s vast archive of previously-unreleased techno, idm, acid, and electro, recorded to cassette from 1997-1999. as with rx-101 s 2016 debut lp, like yesterday, which was compiled from his 1st two vinyl eps, transmission compiles material from his recent 12-s, ep 3 and ep 4, adding four bonus exclusive tracks. mixing the high-octane, fuzzed out 303 acid techno of ep 3 with the crunchy, melodic electro and idm of ep 4, transmission emerges as a fierce, yet surprisingly cohesive journey into late 90s electronix, and belongs in the collection of any discerning fan of warp records or aphex twin s celebrated 90s catalogs.

john frusciantes foregrow doesnt sound like any acid test record, or any record, thatÕs come before it. after the unlikely alliance between the los angeles label and the iconoclastic venice, ca musician on trickfinger, all bets are off. this ones truly a passage through night. frusciantes using elements of john carpenters eternal scores, the drum programming dna of jungle and footwork, and yes, a roland tb-303, all slowed down to a crawl. foregrow is a lurching, lysergic beauty which offers glimpses of his platinum pop instincts, but only behind the veil of true experimentalism.

the latest chapter in the electronic evolution of guitarist john frusciante features a new project under his trickfinger guise and has him utilizing the classic hardware that spawned the eternal acid template. frusciantes desire to cede control to machines has paradoxically allowed him to present a singular take on elemental dance music, a brilliant and unexpected entry into acid tests growing canon of modern, 303-focused dance music.

nach seiner vielbeachteten compilation nuggets 3 aus 2013 veroeffentlicht der electronica-veteran luke vibert sein neues studioalbum auf dem jungen, ambitionierten hypercolour-label. ridmik ist eine hommage an den legendaeren roland tb-303 bassline-computer und knŸpft an viberts warp-single i love acid aus 2003 an

the diary, an upon you compilation, is the third of its kind and presented as a retrospective. featured are a collective of ancestral artists like marco resmann, onno, magit cacoon or gunnar stiller, as well as external ones like chris wood & meat, alland byallo, canson, skinnerbox, madmotormiquel und ante perry. compiled by the cheapers who gave their track memories for this project which is also the name giving track of the cd.

neue drum & bass mix-cd aus dem hause hospital mit stŸcken von netsky, metrik, danny byrd, high contrast, s.p.y, nu:logic, fred v & grafix, wilkinson, the upbeats, phace & noisia, fracture u.v.a.!

basierend auf den highlights seiner wšchentlichen radioshow hat paul van dyk wieder einen leckerbissen an mixset zusammengestellt, das seine geschmackssicherheit und die seiner fans perfekt widerspiegelt. ob trance, house oder progressive, pvd lŠsst einen smash nach dem anderen los, egal welchem derzeit angesagten subgenre elektronischer clubmusik dieser auch zugeordnet werden kann

when 3 of italys hottest and fresh-thinking djs & producers - alex kenji, manuel de la mare & luigi rocca - decided to combine, the result was quite literally their namesake: forza Ð translating as force Ð summarizes the trioÕs waves in the worldwide scene completely. unstoppable as 3 single entities, forza are unmatched combined. spanning 43 tracks in total alongside 3 full-length dj mixes, and offering only the finest musical journey that youd expect from such a combination of producers & djs, toolroom knights mixed by forza is a mix certain to satisfy 303 lovers everywhere

the name paul ritch echoes around the world. his productions and live sets, charged with pure adrenaline and characterised by his powerful, harmonic, and deep techno, have made him the holder of a unique mark of sounds in which his passion and power transmit numerous memorable music moments.

with summer around the corner, hundreds of thousands of music lovers have begun preparing themselves for the start of the festival season. the continuously increasing presence of dance music in the charts means that this year, djs are filling more headline slots than ever and appealing to a more commercial, mainstream audience, festivals such as creamfields, global gathering, sw4, coachella, ultra music fesitval and tomorrowland are still going strong and are increasingly being seen as essential summer festivals.clubbers guide is one of ministry of sounds most iconic brands and clubbers guide to festivals 2012!

the debut album of these two young lads with baseball hats not only honours and delves into a sound that already peaked some fifteen years ago, it also hones and elevates it, without ever falling into the reynoldsmania trap (please see retromania for further reference) or being old gold retold. and this is all oh-so-clear from the very start: the fine flutes of >when its there< go straight to your heart and they do so without any self-mockery or hipster smiles as much as the gasping 303-sounds, chirping birds and healing dx-like bass sounds a few tracks later do. >salty days< - an allusion not to grim times, but to a certain members adoration for the crystalline mineral - is blessed with a coherence that isnt samey, with tradition that isnt leaden and a feeling that is pure.

we present the astonishing sequel and final part of the series: myam james 2! the first part of the myam james series was the ultimate score for one of kettels specialties: melodic 303/acid madness, poured over with melancholia. we consider it as a milestone in kettels electronic affairs.